Ночной Бар - 2

[Ardani]

Настроение..

MILES DAVIS * BLUE MILES

Качайте пока ссылка жива.

[Ardani]

«Что? Где? Когда?»

- Счет 5:5 и на кону 2000 евро. Господин Поташов, вы вчера были в ночном клубе?

- Да.

– Танцевали с блондинкой?

– Ну.

- А потом увезли ее к себе домой?

– Точно…

- А вы не обратили внимание, что эта блондинка сидела сначала за моим столом?

– Нет…

- Внимание, вопрос: Диффундивное проникновение трансаминаз через астроцитарные синапсы обусловлено липофильностью или гидрофильностью?

[Argentina]

Устала...надоело работать...людиииии....есть кто? :crying:

[Ardani]

Есть. Сидим с ТигрОм пьём. Присоединяйся,

[Argentina]

Ардани, чем больше общаюсь с другими (не буду конкретизировать), тем больше люблю тебя :crying:

Налейте мне мартини :cry:

Тигром, как дела?

[Ardani]

Выбирай.

.. и того.. не смущай меня. Я стеснительный.

[Ardani]

ТигрОм

мис каши, бан чес утум..

[Argentina]

.. и того.. не смущай меня. Я стеснительный.

[TigrOm]

Кесмард ем дарел ес ес гордзи дзеры..(

[sister M]

здрасссти! :flower:

[Ardani]

Сегодня в Баре - Lee Ritenour

Download All albums

Ritenour has always experimented with different genres, and has always had a very strong commercial sense. His solo career began in 1975 with the recording of his album First Course. Released in 1976, the album gave a strong representation of the mid-1970s L.A. Jazz/Funk sound. Critics did, however, complain that his first album was "lightweight." So Lee countered this with his strongly fusion-based follow up, Captain Fingers. This was followed by two more fusion efforts—The Captain's Journey (1978) and Feel The Night (1979). On these albums, Ritenour primarily used something of a rich, yet rock-oriented distorted guitar sound, coming through his Gibson ES-335 guitar. In other instances on these albums, clean sounds were heard coming through his Gibson L5 and classical acoustic guitars (he played his classical acoustic guitars almost exclusively on his album Rio in 1979). In the 1970s, Ritenour would often use effects like wah-wah, phasers, chorus, and flangers on his electric instruments. Also, during the late 1970s, Ritenour can be heard using the 360 Systems guitar synthesizer (he is pictured sitting in front of it on the back cover of his Captain Fingers album). He can be heard using the synthesizer on the track Captain Fingers (from the album with the same title), and can also be heard playing solo with the synthesizer on the song "What Do You Want?" from "The Captain's Journey."

In 1979, Ritenour played on Pink Floyd's The Wall, contributing rhythm guitar to "One of My Turns" and acoustic guitar to "Comfortably Numb".

As the 1980s began, Ritenour began to add stronger elements of pop to his music, beginning with Rit in 1981. For this, he kept with his distorted sound, now using his Ibanez LR-10 signature model guitar. He continued with the pop-oriented music for two albums after Rit (Rit/2 in 1982 and Banded Together in 1984), while releasing a slick, yet more fusion-styled, Direct-Disk instrumental album in 1983 called On The Line. He also provided rhythm guitar on Tom Browne's hit, Funkin' for Jamaica.

In 1985, he recorded his first album for GRP with Dave Grusin, entitled Harlequin. It featured Lee primarily on his classical acoustic guitar and also featured Brazilian singer/songwriter Ivan Lins. Up to this point, this album along with Rio arguably gave the strongest representation of Lee's Brazilian influences.

The following year, 1986, Ritenour released the album Earth Run, which featured him using the then-newly designed SynthAxe guitar. He used nine different guitars on the album, most notably the SynthAxe, his Valley Arts guitar, and his Gibson Chet Atkins acoustic. The album also featured long-time collaborator Phil Perry for the first time, on the track "If I'm Dreaming, Don't Wake Me" — a song also featuring David Foster and Maurice White.

Ritenour continued in a direction strongly featuring other artists in 1987, with Portrait. The album itself has something of a strong smooth-jazz sound, and Ritenour can be heard here playing with The Yellowjackets, Djavan, and much to the shock of some, Kenny G.

In 1988, his smooth jazz-influenced Brazilian music came to the forefront with Festival — another album strongly featuring his work on nylon-string acoustic guitars. The following album, Color Rit, continued with a similar mood. He did however, change direction completely again with his straight-ahead jazz album Stolen Moments. Sounding similar to Wes Montgomery, Ritenour played alongside long-time collaborator, saxophonist Ernie Watts, pianist Alan Broadbent, bassist John Patitucci (playing only acoustic) and drummer Harvey Mason. Continuing in a Wes Montgomery mood, Ritenour paid tribute to the man himself in 1992, with his album Wes Bound. The album featured a number of covers of Montgomery compositions, as well as some seemingly tributary pieces from Ritenour himself.

Also seen in this decade was a 1994 collaboration album with guitarist Larry Carlton called Larry & Lee.

Whilst playing primarily with smooth jazz group Fourplay for much of the 1990s, Lee left the group in 1998 and continued with his solo works. He was replaced in the group by Larry Carlton.

2002 saw the release of his album, Rit's House.

In February 2004, Ritenour completed a project looking back on his career involving musicians he has worked with throughout his career called Overtime. Overtime was recorded live in a studio in front of a small audience. It was released in early 2005, and is currently available as a singular audio CD or double-DVD set. Some of the musicians featured include Dave Grusin, Patrice Rushen, Harvey Mason, Alex Acuna, Chris Botti, Anthony Jackson, Melvin Lee Davis, and Ernie Watts, amongst many others.

His latest album, entitled Smoke n' Mirrors was released in late August 2006.

[sister M]

ээээээээээ,не поняла ни фига!

привет и пока ! убегаю на музыку.но вечером вернусь ,посмотрю что за музыку предлагаешь. :hi:

[utkarsh]

Ардани, ты сколько им платишь, что они у тебя поют?

[Ardani]

Музыка екстра класса. Xотя дело вкуса. Кстати на сайте есть опция прослушивания - Play this entire playlist

[Ardani]

Ардани, ты сколько им платишь, что они у тебя поют?